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This led me to believe that the 16M remained at least partially in Elkhart through 1969.
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Also, the model number is stamped on them above the serial and both are done the same way as the 6M/10M, unlike on the altos. for most of the ones I've seen, they adopted keyguards more resembling those of the 10M, not the pearled ones of the Vito. I came to the opposite conclusion on 16Ms. I see a 1960s sax marked Mexico occasionally but not often. The 21M shows in the 1995 Conn sax catalog ( here if you haven't seen it) along with the 22M tenor and the 5M and 9M Artist models.
Conn trumpet serial number list serial numbers#
It seems reasonable to assume that the 24M is the new sax line that UMI closed the plant in '97-'98 to retool for (and the serial numbers seem to jive pretty well on that). The ones I find for sale are generally in very good condition and look fairly new. The 24M and 25M were for sure the last American-made Conn saxes. Before 1998 it seems like most saxes had a space between the 7 and the rest (which is a critical distinction when it comes to King but that's an entirely different can of worms), and from 1998 on the space is gone completely.
Conn trumpet serial number list code#
They went from what we know is a date code () to what I suspect might be a plant code (7). (For that matter.when did the 6M's disappear ?)Ĭlick to expand.Essentially, yes, however, I consider the first one or two numbers to be just a prefix. your chart was helpful, but (correctly) you didn't ascribe the 10M model name to some of those tenors you listed. I am still wondering when 10M's disappeared. This would mean they produced only the 6M, 50M, 16M, 10M, 11M, and 12M. It would be very interesting if, in fact, all thru the 70's the 50M was the sole second-shelf Alto the company made.never introducing another model until the company was bought in 1980. Over time, the 50M's lost the pearl-touch F# trillkey in favor of the 14M style metal one.etc, etc.īut even in the later 60's, the two horns still had different body tube designs and their keywork was subtly different.īut yeah, by '71.nary a mention of the 14M anymore. From the get-go the MX-made 14M's adopted the Vito keyguards, bellbrace, and pinky table, for example.abandoning the Elkhart-made table and wire guards and brace. So.14M's after '61 were all produced in Nogales MX.50M's were all produced in Nogales, arizona.ġ6M's were produced at both plants, but apparently way more coming out of MX.Īs you say, the details/specs of the 14M and 50M morphed into one another. In '61 they opened the Nogales MX plant and moved 14M and 16M production there, as well. (Additionally, some 16M's were also produced there). They kept the tooling and kept producing the horn afterward at that plant. So Conn initially just engraved the remaining Vito horns with their name (these are the ones with the 4-digit serial #'s which confuse the hell outta folks because they do not coincide w/ any Conn serial #'s). 1960-61.which produced the Vito Kenosha horns (see Kim Slava's article "Vito-Conn Convergence" online). The 50M was borne of the takeover of the defunct Art Best plant, Nogales arizona, c. The 14M existed on it's own from '56-60, having wire guards and bellbrace. Regarding the 14M/50M thing.there were absolutely 2 different models all thru the 60's. It means the 21, 24, and 25M's are MUCH later horns than I had previously assumed. so you think the 6-digit 21M's actually came after the 7-digit ones.then the 7-digit 24M's came after the 6-digit 21M's. Horn-u-copia is in the process of developing a tentative serial number list for Cavalier that we plan to include on this page.Interesting !.
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Cavalier was instituted in 1931, and used its own separate serial number list. If you note any discrepancies, or have additional information concerning this company, please contact us here at Horn-u-copia.Ĭavalier was a sub- brand for Pan American, used primarily as a method of supplying instruments by separate marketing and distribution. And, although, statistical measures have been used to supply as accurate a table as we are able, it is still constructed mathematically, and though various resources have been used to further accuracy, sources have not been exhaustive, so some error is likely. Like most serial number lists, this is a constructed table. This list is intended to be used only with brass instruments as it appears that a separate sequence was used for woodwinds. Pan American Serial Number List Horn-u-Copia An Index to Pan American Instruments